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Originally, the film was based more around and in Kansas City, Missouri. Kansas City was not bombed in the original script, although Whiteman Air Force Base was, making Kansas City suffer shock waves and the horde of survivors staggering into town. There was no Lawrence, Kansas, in the story, although there was a small Kansas town called "Hampton". While Hume was writing the script, he and producer Robert Papazian, who had great experience in on-location shooting, took several trips to Kansas City to scout locations and met with officials from the Kansas film commission and from the Kansas tourist offices to search for a suitable location for "Hampton.
Hume and Papazian ended up selecting Lawrence, due to the access to a number of good locations: a university, a hospital, football and basketball venues, farms, and a flat countryside. Lawrence was also agreed upon as being the "geographic center" of the United States. Back in Los Angeles, the idea of making a TV movie showing the true effects of nuclear war on average American citizens was still stirring up controversy. ABC, Hume, and Papazian realized that for the scene depicting the nuclear blast, they would have to use state-of-the-art special effects and they took the first step by hiring some of the best special effects people in the business to draw up some storyboards for the complicated blast scene.
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For several months, this group worked on drawing up storyboards and revising the script again and again; then, in early , Butler was forced to leave The Day After because of other contractual commitments. ABC then offered the project to two other directors, who both turned it down. Meyer was apprehensive at first and doubted ABC would get away with making a television film on nuclear war without the censors diminishing its effect. However, after reading the script, Meyer agreed to direct The Day After.
Meyer wanted to make sure he would film the script he was offered. He did not want the censors to censor the film, nor the film to be a regular Hollywood disaster movie from the start. Meyer figured the more The Day After resembled such a film, the less effective it would be, and preferred to present the facts of nuclear war to viewers.
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ABC agreed, although they wanted to have one star to help attract European audiences to the film when it would be shown theatrically there. Later, while flying to visit his parents in New York City, Meyer happened to be on the same plane with Jason Robards and asked him to join the cast. Meyer plunged into several months of nuclear research, which made him quite pessimistic about the future, to point of becoming ill each evening when he came home from work.
Meyer and Papazian also made trips to the ABC censors, and to the United States Department of Defense during their research phase, and experienced conflicts with both. Meyer had many heated arguments over elements in the script, that the network censors wanted cut out of the film. The Department of Defense said they would cooperate with ABC if the script made clear that the Soviet Union launched their missiles first—something Meyer and Papazian took pains not to do.
In any case, Meyer, Papazian, Hume, and several casting directors spent most of July taking numerous trips to Kansas City.
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In between casting in Los Angeles, where they relied mostly on unknowns, they would fly to the Kansas City area to interview local actors and scenery. They were hoping to find some real Midwesterners for smaller roles. Hollywood casting directors strolled through shopping malls in Kansas City, looking for local people to fill small and supporting roles, while the daily newspaper in Lawrence ran an advertisement calling for local residents of all ages to sign up for jobs as a large number of extras in the film and a professor of theater and film at the University of Kansas was hired to head up the local casting of the movie.
Out of the eighty or so speaking parts, only fifteen were cast in Los Angeles. The remaining roles were filled in Kansas City and Lawrence. When asked what their plans for surviving nuclear war were, a FEMA official replied that they were experimenting with putting evacuation instructions in telephone books in New England. The town boasted a "socio-cultural mix," sat near the exact geographic center of the continental U. Lawrence had some great locations, and the people there were more supportive of the project. Suddenly, less emphasis was put on Kansas City, the decision was made to have the city completely annihilated in the script, and Lawrence was made the primary location in the film.
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ABC originally planned to air The Day After as a four-hour "television event", spread over two nights with total running time of minutes without commercials. The network stuck with their two night broadcast plan, and Meyer filmed the entire three-hour script, as evidenced by a minute work-print that has surfaced. ABC relented, and told Meyer he could edit the film for a one-night broadcast version.
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Meyer's original single-night cut ran two hours and twenty minutes, which he presented to the network. After this screening, many executives were deeply moved and some even cried, leading Meyer to believe they approved of his cut. Nevertheless, a further six-month struggle ensued over the final shape of the film. Network censors had opinions about the inclusion of specific scenes, and ABC itself, eventually intent on "trimming the film to the bone", made demands to cut out many scenes Meyer strongly lobbied to keep.
Finally Meyer and his editor Bill Dornisch balked. Dornisch was fired, and Meyer walked away from the project. ABC brought in other editors, but the network ultimately was not happy with the results they produced. They finally brought Meyer back and reached a compromise, with Meyer paring down The Day After to a final running time of minutes.
The Day After was initially scheduled to premiere on ABC in May , but the post-production work to reduce the film's length pushed back its initial airdate to November. Censors forced ABC to cut an entire scene of a child having a nightmare about nuclear holocaust and then sitting up, screaming. A psychiatrist told ABC that this would disturb children. Another scene, where a hospital patient abruptly sits up screaming, was excised from the original television broadcast but restored for home video releases.
Meyer persuaded ABC to dedicate the film to the citizens of Lawrence, and also to put a disclaimer at the end of the film, following the credits, letting the viewer know that The Day After downplayed the true effects of nuclear war so they would be able to have a story. The disclaimer also included a list of books that provide more information on the subject. The Day After received a large promotional campaign prior to its broadcast.
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Commercials aired several months in advance, ABC distributed half a million "viewer's guides" that discussed the dangers of nuclear war and prepared the viewer for the graphic scenes of mushroom clouds and radiation burn victims. Discussion groups were also formed nationwide. Composer David Raksin wrote original music and adapted music from The River a documentary film score by concert composer Virgil Thomson , featuring an adaptation of the hymn " How Firm a Foundation ". Although he recorded just under 30 minutes of music, much of it was edited out of the final cut.
Music from the First Strike footage, conversely, was not edited out.
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Due to the film's being shortened from the original three hours running time to two, several planned special-effects scenes were scrapped, although storyboards were made in anticipation of a possible "expanded" version. They included a "bird's eye" view of Kansas City at the moment of two nuclear detonations as seen from a Boeing airliner on approach to the city's airport, as well as simulated newsreel footage of U. ABC censors severely toned down scenes to reduce the body count or severe burn victims. Meyer refused to remove key scenes but reportedly some eight and a half minutes of excised footage still exist, significantly more graphic.
Some footage was reinstated for the film's release on home video. Additionally, the nuclear attack scene was longer and supposed to feature very graphic and very accurate shots of what happens to a human body during a nuclear blast.
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Examples included people being set on fire, their flesh carbonizing, being burned to the bone, eyes melting, faceless heads, skin hanging, deaths from flying glass and debris, limbs torn off, being crushed, blown from buildings by the shockwave, and people in fallout shelters suffocating during the firestorm. Also cut were images of radiation sickness, as well as graphic post-attack violence from survivors such as food riots, looting, and general lawlessness as authorities attempted to restore order. One cut scene shows surviving students battling over food.
The two sides were to be athletes versus the science students under the guidance of Professor Huxley. Another brief scene later cut related to a firing squad, where two U. In this scene, an officer reads the charges, verdict and sentence, as a bandaged chaplain reads the Last Rites. In the original broadcast of The Day After , when the U. Home video releases in the U. RCA videodiscs of the early s were limited to 2 hours per disc, so that full screen release appears to be closest to what originally aired on ABC in the US. A U. A double laser disc "director's cut" version Image Entertainment runs minutes, includes commentary by director Nicholas Meyer and is "presented in its 1.
On its original broadcast Sunday, November 20, , John Cullum warned viewers before the film was premiered that the film contains graphic and disturbing scenes, and encouraged parents who have young children watching, to watch together and discuss the issues of nuclear warfare. There were no commercial breaks after the nuclear attack. Buckley Jr. Sagan argued against nuclear proliferation , while Buckley promoted the concept of nuclear deterrence.
Sagan described the arms race in the following terms: "Imagine a room awash in gasoline, and there are two implacable enemies in that room. One of them has nine thousand matches, the other seven thousand matches. Each of them is concerned about who's ahead, who's stronger. The film and its subject matter were prominently featured in the news media both before and after the broadcast, including on such covers as TIME , [17] Newsweek , [18] U. Critics tended to claim the film was either sensationalizing nuclear war or that it was too tame.
The Oakeses Jason Robards as Dr. The northwest acres had been converted to non-native cool-season grasses for pasture. The ruling simply asks the parties to expedite the request as much as possible and asks for an update on the status no later than March 9. Finally Meyer and his editor Bill Dornisch balked. City leaders will soon consider providing sales and property tax breaks for the expansion of an alcoholic beverage distribution company in northern Lawrence. Stay connected with Green City Market!
The film received 12 Emmy nominations and won two Emmy awards. It was rated "way above average" in Leonard Maltin's Movie Guide , until all reviews for movies exclusive to TV were removed from the publication. In the United States, Since commercials are not sold in these markets, Producers Sales Organization failed to gain revenue to the tune of an undisclosed sum. Commentator Ben Stein , critical of the movie's message i. Stein's idea was eventually dramatized in the miniseries Amerika , also broadcast by ABC.
Television critic Matt Zoller Seitz in his book co-written with Alan Sepinwall titled TV The Book named The Day After as the 4th greatest American TV-movie of all time, writing: "Very possibly the bleakest TV-movie ever broadcast, The Day After is an explicitly antiwar statement dedicated entirely to showing audiences what would happen if nuclear weapons were used on civilian populations in the United States.
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